The article discusses the film ‘The Backrooms’ and its origins as a creepypasta that has expanded into a cultural phenomenon. Directed by Kane Parsons, the creator of the ‘Backrooms’ mythos, the film explores the mysterious space that people are said to reach after slipping through the cracks of reality.
The film’s depiction of the Backrooms, with its endless yellow corridors and rooms, fluorescent lights, and labyrinthine structure, creates a constant sense of anxiety for the audience. The space itself is the source of horror, with its uncanny feeling of familiarity implemented incorrectly.
As the film progresses, it delves into more conventional horror tropes, with characters facing danger from a mysterious monster in the Backrooms. This shift from the inexplicable nature of the space to a familiar survival horror movie is noted as a compromise with the feature film format.
The narrative also explores the philosophical side of the Backrooms, depicting it as a place where memories are physically manifested and distorted. The film’s technical execution, distribution by A24, and support from James Wan’s production company are praised, but it is noted that the film may not be accessible to all viewers unfamiliar with the original creepypasta or Kane Pixels’ videos.
Overall, ‘The Backrooms’ is described as a well-made film that leaves behind a sense of anxiety and the unknown, rather than providing clear explanations and neat answers. It is acknowledged as a meaningful work that captures an urban legend defining the internet age.
The article concludes by highlighting the film’s ability to provide a fascinating experience for some viewers, while others may find it frustrating and unfinished due to its focus on leaving mysteries unresolved.
Without a doubt, this film excels in keeping the audience uncomfortable for an extended period rather than simply startling them.
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